Interior ST began in 2010 with a single conviction: a home should be composed, not decorated. Sixteen years later, that conviction hasn’t moved an inch. We stayed deliberately small one studio, two cities, a handful of commissions a year because attention doesn’t scale.
A STUDIO BUILT ON RESTRAINT
A STUDIO BUILT ON RESTRAINT
A STUDIO BUILT ON RESTRAINT
Our milestones
2010
THE FIRST ROOM
Elena Marchetti opens her studio with a handmade two-bedroom Brooklyn apartment.
2014
FIRST AWARD
The Linden prototype wins its first international recognition for a project with almost nothing in it.
2018
MILAN ATELIER
A second workspace opens in Milan, closer to the workshops and quarries we source from.
2022
TURNKEY PRACTICE
We bring construction supervision in-house. One team, first sketch to final key.
2026
TODAY
120+ projects across 26 cities. Still four people who answer their own email.
2010
THE FIRST ROOM
Elena Marchetti opens her studio with a handmade two-bedroom Brooklyn apartment.
2014
FIRST AWARD
The Linden prototype wins its first international recognition for a project with almost nothing in it.
2018
MILAN ATELIER
A second workspace opens in Milan, closer to the workshops and quarries we source from.
2022
TURNKEY PRACTICE
We bring construction supervision in-house. One team, first sketch to final key.
2026
TODAY
120+ projects across 26 cities. Still four people who answer their own email.
2010
THE FIRST ROOM
Elena Marchetti opens her studio with a handmade two-bedroom Brooklyn apartment.
2014
FIRST AWARD
The Linden prototype wins its first international recognition for a project with almost nothing in it.
2018
MILAN ATELIER
A second workspace opens in Milan, closer to the workshops and quarries we source from.
2022
TURNKEY PRACTICE
We bring construction supervision in-house. One team, first sketch to final key.
2026
TODAY
120+ projects across 26 cities. Still four people who answer their own email.
A Record of Recognition
WHAT WE BELIEVE
WHAT WE BELIEVE
WHAT WE BELIEVE
03
LIGHT SHAPES EVERYTHING
Natural light guides the mood, movement, and rhythm of every room, creating spaces that feel calm and alive.
02
MATERIALS THAT AGE
We choose stone, oak and linen for how they look in ten years, not on handover day.
01
RESTRAINT OVER SPECTACLE
Every element must earn its place. We remove until the room stops improving then stop
03
LIGHT SHAPES EVERYTHING
Natural light guides the mood, movement, and rhythm of every room, creating spaces that feel calm and alive.
02
MATERIALS THAT AGE
We choose stone, oak and linen for how they look in ten years, not on handover day.
01
RESTRAINT OVER SPECTACLE
Every element must earn its place. We remove until the room stops improving then stop
03
LIGHT SHAPES EVERYTHING
Natural light guides the mood, movement, and rhythm of every room, creating spaces that feel calm and alive.
02
MATERIALS THAT AGE
We choose stone, oak and linen for how they look in ten years, not on handover day.
01
RESTRAINT OVER SPECTACLE
Every element must earn its place. We remove until the room stops improving then stop
PEOPLE YOU MEET ARE THE ONES DOING THE WORK.
PEOPLE YOU MEET ARE THE ONES DOING THE WORK.
PEOPLE YOU MEET ARE THE ONES DOING THE WORK.
Elena Marchetti
Founder & Creative Director
Elena Marchetti
Founder & Creative Director
Jonas Berg
Head of Interior Architecture
Jonas Berg
Head of Interior Architecture
Camille Roux
Styling & Art Curation
Camille Roux
Styling & Art Curation
Tomás Rivera
Project Direction
Tomás Rivera
Project Direction